Almost completely unknown in the west, Masahiro Sugaya has been composing and producing music since the 1980s in an exceptionally wide range of fields and practices. From arrangements for musical acts like the acoustic guitar duo Gontiti to acousmatic diffusion at spaces like Paris’s Groupe de Recherches Musicales (GRM), Sugaya’s reach is almost exhaustive in its breadth, but it was in the 80s bubble-era kankyō ongaku scene that he first found his musical voice. Curated by Visible Cloaks’ Spencer Doran and Maxwell August Croy for their Empire of Signs label, Horizon, Vol. 1 collected several recordings from this period (with thanks to Empire of Signs).
Au. Pt. C. is a piece made for 8-channel speakers system. Therefore, the stereo version of it is, so to say, like a pressed flower. It still has width, but loses depth. This piece contains many words as a soundscape. They always fill our city in Japan. For example, a child shouting “Helicopter!”, an advertisement announcing the start of sales of Windows 8 OS, fragments of speech from a rally against nuclear power plant, and so on. Of course, it could be helpful to understand the work if you could understand what they saying. I agree with that idea for a moment, but then I think again. Then, I find that it need not be so. People are shouting something, and that is enough for me. The important thing for me is that we have unclear meanings, and each of us can imagine all sorts of things.
We cannot help but have some images in our mind which respond to our surroundings. It could be human nature. Then again we cannot help but trying to find some meanings of the images. It could be human nature, too.
Sitting in front of speakers and listening only to sounds extracted from our surroundings is a human experience that has become possible. When we listen only to the sound, again, we can not help but having some images and trying to find some meanings of them.
I am interested in unclear image. I am interested in unclear meaning, too.